I’m looking for a job. In fact, I’ve made up my mind to find a career that I can learn and grow into. Who am I? I’m a hard worker. I set high goals and I’ve been told that I’m persistent. And I’m thinking, television news might just be something that I love as well as something I happen to be good at. Now I know that today’s work culture no longer caters to the job loyalty that could be promised to earlier generations. But I believe that good things come to those who work their asses off and that good people who reach the top of the mountain, didn’t just fall there. My motto is, ‘if you want to win the lottery, you have to make the money to buy a ticket’.
This pitch is made by Lou Bloom in a television studio in the latest Jake Gyllenhall film Nightcrawler. Lou does indeed find a career in television news – securing and selling hard-to-get footage of crime in Los Angeles to attract viewers to the network and stoke white suburban fear in Los Angeles. Lou and the media industry in which he works are amoral – money matters more than respect or dignity: captured by the explanation Lou is given by TV News boss Nina (played by Rene Russo) that ‘If it bleeds, it leads’. While most of the online discussion of the film has focused on its depiction of US TV news and media ethics, Kim and Heather became fascinated by the way the film uses Lou to link the taking on of neoliberal values – hard work, persistence and aiming high – to psychopathic and bullying behaviour. In this post they explore the film’s messages about contemporary work.