Awards ceremonies are fascinating sites of analysis for those studying celebrity. While increasingly staged and manipulated, these ceremonies continue to offer the public the chance to catch a glimpse of famous people ‘being themselves’, promising us a rare insight into who they ‘really are’ behind their star image – from the red carpet interviews or falls (see Jennifer Lawrence) to candid shots of after party revelry. In this post Kim and Heather focus on one of the more rehearsed aspects of Awards shows – the acceptance speech. Here celebrities get a chance to represent themselves – as generous in acknowledging the co-workers, as family men and women, as political – as when Marlon Brando refused to attend the Academy Awards and sent Sacheen Littlefeather, a Native American civil rights activist to speak in his place as a protest against the treatment of American Indians by the film industry. Here we focus on a neglected gem of a speech from this year’s Academy Awards, that by Matthew McConaughey, which contained the remarkable revelation that he is his own role model.

Yesterday David Cameron tweeted: “I’m delighted for the Duke and Duchess now their son has been born. The whole country will celebrate. They’ll make wonderful parents.” Like many celebrity elites and as a ‘super class’ of the very rich and privileged the security of the royal family as a national institution is partly dependent on a contradictory cult of ordinariness. This is best nurtured through the managed intimacy of living a family life in the public eye. In Michael Billig’s words, ‘the job of the royal family is to be a family’. In this guest post Anita Biressi and Heather Nunn reveal the class camouflage that helps keep the royal family popular.